In Flames Of Setting Suns, Panamanian artist Iván Blasser channels the incandescent horizon of Panama's Pacific coast into a body of work forged from raw iron; elemental, weighty and unadorned two-dimensional sculptures. Based along the isthmus' southern shoreline, Blasser has long been attuned to the daily combustion of the setting sun, when fire-saturated skies dissolve into mineral blues.

For Blasser, the sunset is not a romantic cliché but a threshold. It is a moment of ignition and surrender, when light fractures into embers before giving way to darkness. Here, the sun appears not as mythic figure but as disk and force, akin to Aten, the ancient Egyptian solar presence conceived as pure radiance rather than deity.

The iron panels echo this austerity: flat, frontal, devotional. Their rusted skins glow with deep oranges and earthen reds, recalling the final flare of the sun as it meets the Pacific. The viewer is invited to stand before them as one would before the ocean at dusk, as if in quiet worship, aware of scale, silence, and the slow passage of time.

Flames Of Setting Suns transforms industrial matter into a restrained act of devotion, an offering to the Pacific coast of Panama and to the daily dissolution of light into night.